Dramatic Irony in Scene 2 of Romeo and Juliet Who Says if You Ever Disturb Our Streets Again

seven Main Themes in Romeo and Juliet Simplified

William Shakespeare's Romeo and Juliet is a tragic tale of teenage love torn apart by detest. Just there are more than literary themes throughout the classic play than information technology appears. Take a look at the 7 main themes in Romeo and Juliet, along with text examples that support each theme.

examples of themes in romeo and juliet

The Ability of Love

At its core, Shakespeare'south famous tragedy is a story almost the all-consuming power of love. In that location are several love themes in Romeo and Juliet, but the strongest is how powerful honey can exist. We start see its depths when Romeo laments being out of favor of Rosaline, his first love:

"ROMEO
Why such is love's transgression.
Griefs of mine ain lie heavy in my breast,
Which thou wilt propagate to have it prest
With more of thine. This dear that thou hast shown
Doth add more grief to too much of mine own.
Love is a smoke made with the smoke of sighs;
Being purg'd, a burn sparkling in lovers' eyes;
Being vex'd, a sea attend'd with lovers' tears:
What is it else? A madness most discreet,
A choking gall, and a preserving sweet."
- Act 1, Scene i

Romeo'due south love for Rosaline, and his heartbreak at her disaffection, affects everything he says or thinks. The only strength potent enough to suspension him of this spell is his newfound love for Juliet, which occurs at total forcefulness for Romeo upon seeing her:

"ROMEO
O, she doth teach the torches to burn down bright!
It seems she hangs upon the cheek of night
As a rich jewel in an Ethiop'southward ear;
Dazzler too rich for use, for earth too love!
And then shows a snowy dove trooping with crows
Equally yonder lady o'er her fellows shows.
The measure washed, I'll lookout man her place of stand up,
And touching hers, make blest my rude hand.
Did my heart love till now? Forswear information technology, sight!
For I ne'er saw true beauty till tonight."
- Human activity one, Scene five

The dear betwixt Romeo and Juliet drives the plot forward, as virtually every decision they brand is in service of their dear for each other. I such decision is their choice to ally each other the day after meeting:

"ROMEO
Ah, Juliet, if the measure of thy joy
Be heap'd like mine, and that thy skill exist more
To blazon it, then sweeten with thy jiff
This neighbour air, and let rich music's tongue
Unfold the imagin'd happiness that both
Receive in either by this beloved run into.

JULIET
Conceit more than rich in matter than in words,
Brags of his substance, not of ornamentation.
They are just beggars that tin can count their worth;
But my true honey is grown to such backlog,
I cannot sum up sum of half my wealth."
- Human action 2, Scene 6

Romeo's conclusion to stop the duel between Mercutio and Tybalt is another example of his love for Juliet. But when Tybalt kills Mercutio anyhow, Romeo's love for his friend blinds him — just every bit his honey for both Rosaline and Juliet blinded him before — and he kills Tybalt in an deed of rage. The literary theme of honey is responsible for both the happiness and the tragedy in the play.

The Power of Hatred

Cipher is more than powerful than beloved in Romeo and Juliet — except, at times, the power of hate. The source of this hatred is never revealed to the reader, but it's strong plenty to attach each proper noun to bitter resentment. For instance, When Juliet meets Romeo, she is blinded past dearest until she finds out that he is a Montague.

"JULIET
My just dearest sprung from my but hate!
Besides early on seen unknown, and known too late!
Prodigious birth of love it is to me,
That I must beloved a loathed enemy."
- Act 1, Scene 5

The pair spend the entire play pursuing their love and fugitive the hatred between their families. But ultimately, that hatred combined with Romeo and Juliet'due south dear leads to their untimely deaths, as the prince declares:

"PRINCE
This letter doth brand good the Friar's words,
Their grade of love, the tidings of her expiry.
And here he writes that he did buy a poison
Of a poor 'pothecary, and therewithal
Came to this vault to dice, and lie with Juliet.
Where be these enemies? Capulet, Montague,
See what a scourge is laid upon your hate,
That heaven finds means to impale your joys with dear!
And I, for winking at your discords too,
Have lost a brace of kinsmen. All are punish'd."
- Deed 5, Scene 3

The culmination of the hatred between the Capulets and Montagues is too poetic and tragic to bear, as "heaven finds means to kill your joys with love." The families swear to "a glooming peace" and pay tribute to each other'southward losses. They are forced to love each other due to the wretchedness of their hatred.

Family and Obligation

Many of the tragic events in Romeo and Juliet come from the characters' desire to serve their families, creating a theme of family unit and obligation. When Romeo and Juliet come across, the knowledge that they are in opposing families is enough to threaten the future of their relationship. Juliet talks to herself virtually this tragedy, and wishes that she could trade his proper name for their love:

"JULIET
'Tis but thy proper name that is my enemy;
M art thyself, though not a Montague.
What'southward Montague? It is nor mitt nor foot,
Nor arm, nor face up, nor any other part
Belonging to a human. O be another proper noun.
What's in a proper name? That which nosotros call a rose
By any other name would smell as sweet;
So Romeo would, were he not Romeo phone call'd,
Retain that dear perfection which he owes
Without that championship. Romeo, doff thy proper name,
And for thy name, which is no function of thee,
Have all myself."
- Human activity ii, Scene 2

However, Juliet'south loyalty to her family tests her love for Romeo. After they marry and Romeo kills Tybalt, Juliet is so overcome with grief for her cousin that she lashes out at Romeo:

"JULIET
O serpent heart, hid with a flowering face!
Did ever dragon go on so fair a cave?
Cute tyrant, fiend angelical,
Dove-plume'd raven, wolvish-ravening lamb!
Despised substance of divinest show!
Just opposite to what thou justly seem'st,
A damned saint, an honourable villain!
O nature, what hadst 1000 to do in hell
When thousand didst bower the spirit of a fiend
In mortal paradise of such sweet flesh?
Was always book containing such vile matter
So fairly leap? O, that cant should dwell
In such a gorgeous palace."
- Act 3, Scene 2

For only a moment, Juliet'south obligation remains to her family unit, rather than with Romeo, who is now her married man. But shortly she comes to her senses and over again chooses Romeo over her grief for Tybalt.

Defying Authorisation

Romeo and Juliet defy the rivalry of their parents, but they aren't the but characters who contribute to the theme of defying authority. Both the Montague and Capulet families are a part of Verona social club, and there is no beloved lost betwixt them and Prince Escalus who desperately tries to go on order in his town.

"PRINCE
... Three ceremonious brawls, bred of an blusterous word,
By thee, old Capulet, and Montague,
Have thrice disturb'd the quiet of our streets,
And made Verona's ancient citizens
Cast by their grave beseeming ornaments,
To wield old partisans, in easily every bit sometime,
Herpes'd with peace, to function your herpes'd detest.
If e'er you disturb our streets again,
Your lives shall pay the forfeit of the peace.
For this time all the balance depart away:
You, Capulet, shall keep with me,
And Montague, come you this afternoon,
To know our farther pleasure in this case,
To sometime Free-town, our common sentence-place.
Once again, on pain of death, all men depart."
- Act 1, Scene 1

Throughout the play, characters constantly defy this authorisation as Romeo and Juliet defy their parents. Juliet draws the anger of her father when she refuses to marry Paris (because she is already married to Romeo):

"CAPULET
Hang thee young luggage, disobedient wretch!
I tell thee what,—get thee to church a Thursday,
Or never after await me in the confront.
Speak not, respond non, do non answer me.
My fingers itch. Wife, nosotros scarce thought united states blest
That God had lent us but this only child;
But at present I encounter this one is one also much,
And that we have a curse in having her."
- Act 3, Scene 5

Juliet loves her father merely must defy him to pursue her life with Romeo. Just as the Montagues and Capulets ignore the prince's commands, she ignores the demands of her parents, and pretends to exist dead rather than listen to them.

Violence and Death

The theme of violence and death is evident from the very get-go scene to the very last scene in the play. Every death in Romeo and Juliet comes from a cycle of violence that seems never-ending. The first character to die a vehement death is Mercutio, who is killed past Tybalt under Romeo's arm, and avenged by Romeo himself:

"ROMEO
Again in triumph, and Mercutio slain?
Away to sky corresponding lenity,
And fire-ey'd fury exist my deport now!
Now, Tybalt, take the 'villain' back once more
That late thou gav'st me, for Mercutio'due south soul
Is but a footling way above our heads,
Staying for thine to keep him company.
Either thou or I, or both, must get with him."

Tybalt so dies, and Romeo is banished. Lady Montague dies of a broken middle upon hearing the news of his banishment. Juliet works with Friar Lawrence to pose as dead and meet Romeo in the Capulet tomb. However, Romeo doesn't get the bulletin, and kills both Paris and himself as a issue.

"ROMEO
... How oft when men are at the betoken of death
Have they been merry! Which their keepers call
A lightning before death. O, how may I
Call this a lightning? O my love, my wife,
Death that hath suck'd the dear of thy breath,
Hath had no power all the same upon thy beauty.
Thou fine art not conquer'd. Beauty'southward ensign nonetheless
Is crimson in thy lips and in thy cheeks,
And death's pale flag is not advanced there.
Tybalt, liest thou there in thy bloody sheet?
O, what more than favour tin I practice to thee
Than with that hand that cutting thy youth in twain
To sunder his that was thine enemy ..."

Romeo effectively ends the bike of violence and revenge with his own death; he has killed the killer of Tybalt. Juliet takes her own life upon seeing Romeo dead, making hers the final toll of the abiding grudge between the families.

The Folly of Youth

Romeo and Juliet are amongst the youngest characters in the play, and they act with the impulsivity of youth, which leads to folly. They are not the only characters to practise so, as hotheaded Capulets and Montagues regularly brawl in the streets. But equally Friar Lawrence warns, acting in haste can lead to overwhelming regret.

"FRIAR LAWRENCE
These violent delights have fierce ends,
And in their triumph dice; like burn and powder,
Which as they kiss consume.The sweetest dearest
Is loathsome in his own deliciousness,
And in the taste confounds the appetite.
Therefore dear moderately: long dearest doth and then;
Likewise swift arrives as tardy as too slow."
- Act 2, Scene 6

The friar's foresight comes into play in the very next scene, where Romeo is overtaken by revenge and kills Tybalt. He later acknowledges the function his youth has played in his current situation.

"ROMEO
Grand canst non speak of that thou dost non feel.
Wert chiliad equally young equally I, Juliet thy love,
An hour but married, Tybalt murdered,
Doting like me, and like me banished,
So mightst thou speak, then mightst thou tear thy pilus,
And fall upon the ground equally I do now,
Taking the mensurate of an unmade grave."
- Act 3, Scene 3

Romeo's tears and misery over beingness banished, like Juliet's hysterics over the possibility of marrying Paris, contrast sharply with the politically minded adults in the room. Their youthful emotions carry them through love, wedlock, and ultimately, their demise.

Destiny and Fate

Similar any tragedy, the master characters' fate is already decided by their fatal flaws and circumstances. The truly tragic moments of Romeo and Juliet occur when their fate seems avoidable — had Romeo successfully intervened in the duel between Tybalt and Mercutio, or had Friar'southward Lawrence'south letter reached him in fourth dimension, peradventure Romeo and Juliet would have survived. But every bit the original "star-cantankerous'd lovers," their destiny was already decided.

Romeo's deep love and impulsiveness — his fatal flaw — brings him to avenge Mercutio and lament his own part in his fate.

"BENVOLIO
Romeo, away, exist gone!
The citizens are up, and Tybalt slain.
Stand not amaz'd. The Prince will doom thee decease
If m art taken. Hence, be gone, away!

ROMEO
O, I am fortune's fool!"

Later, when Romeo is leaving Juliet for the concluding time, they discuss their future. Juliet has a premonition of the future:

"JULIET
O thinkest grand we shall ever meet again?

ROMEO
I doubt it not, and all these woes shall serve
For sweet discourses in our hereafter.

JULIET
O God! I have an ill-divining soul!
Methinks I see thee, now thou art so low,
As one expressionless in the lesser of a tomb.
Either my eyesight fails, or g look'st pale.

ROMEO
And trust me, honey, in my center and then exercise y'all.
Dry out sorrow drinks our blood. Adieu, adieu."

Juliet's vision of Romeo in a tomb comes truthful in the last scene of the play, where he drinks poison to join her in death. The tragic events that have already unfolded to this point make up one's mind their future together.

Never Was a Story of More Woe

The literary themes throughout Romeo and Juliet have made the story an indelible tragedy for generations of audiences. Death, life, love, hatred, obligation, and destiny all play a paw in the play'due south famous catastrophe. Accept a look at the soliloquies in Romeo and Juliet and how they reveal the characters' motives. Or, for a more in-depth wait at the language of the tragedy, check out these examples of oxymorons in Romeo and Juliet.

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Source: https://reference.yourdictionary.com/books-literature/7-main-themes-romeo-juliet-simplified

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